Post by urthona2 on May 23, 2013 6:03:39 GMT -8
F: which overlaps the other three layers is the Great Sun in his Human
[glow=red,2,300]11R: the reason (_) hears (is really) thru the spirals[/glow]
okay been putting it together and this recent post explaining that the spiral or vortex is seen differently depending on the vantage point of the observer nailed it--so if we see the spiral as a tunnel, a sun, or a comet etc will influence how we are hearing in that particular event
ramhornd.blogspot.com/
Tuesday, May 21, 2013
BLAKE'S VORTEX
will add some notes for now as i cant get the color dodad to work at the moment and i like my colors
i shall try to return later if time permits to tie up the loose ends as i have lots of rs that fills in the imagery in some of the following material
ramhornd.blogspot.com/
Thursday, May 23, 2013
VORTEX OF URIZEN
books.google.com/books?id=riySOk90TJMC&pg=PA97&dq=vortex-ring+blake#v=onepage&q=vortex-ring%20blake&f=false
read the following pages as well in the above link
From MILTON'S L'ALLEGRO III
The Great Sun
[recording1]
F: both the message and the source of the message
9R: she signed the best (source/person) that she signed before
F: In this picture Blake uses scale as one of the means to distinguish between the natural world and the Eternal world
6R: grow understand lower sign and use your answer examine those legs to see (your) description
...F: In this picture Blake uses scale as one of the means to
...1R: examine those legs to see (your/girl) description
...4R: grow understand lower sign and use your answer
...F: to distinguish between the natural world and the Eternal
...3R: understand lower sign and use your answer
...F: world
...5R: grow
F: Surrounding the sun is the level of Beulah
14R: a legal veils in us sinners
F: as dominated by the feminine
12R: and an infant of the animus [sounds more like ami-ma-s tho]
F: Within the disc of the sun is the fiery transfor-
13R looks at their office janice looks in the navel
-mative level. The primary figure
F: which overlaps the other three layers is the Great Sun in his Human
[glow=red,2,300]11R: the reason (_) hears (is really) thru the spirals[/glow]
~
[recording 3]
Two Great Lights
F: In Genesis 1:16
1R: nietzsche knows the sun
F: we read about the two great light-
3R: gal i wished that i could hear you
...F: two great lights
...4R: skeleton [iffy but it fits]
~
www.thefourzoas.com/jerusalem/pdf/jerusalem_explained_intro_chap_1.pdf
1-25 only
First, the Chapter is a vortex, which pulses from
circumference inwards to the centre and in reverse ‘spin’ from the
centre outwards to the circumference. The point of reversal is an
act of Divine intervention. In Chapter 1, this act is the finger of
God in the seventh furnace and the setting of the limits of
contraction and opacity and the incarnation. In Blake’s design,
Plates 23, 24 and 25 conclude the consequent serial expansion
from centre to circumference.
Second, the finite chronology details the collapse inward
and reunion outward of Albion. In Chapter 1, his collapse
within is gathered into coherence in the spiritual architecture of
Golgonooza. The collapse into non-entity is reversed by Divine
intervention and Ulro achieves sublimity in Golgonooza as Los
recreates the forms of finitude from the centre outward into a
visionary unity. The world of generative chaos is transformed
i nto sublime form and the Divine image preserved in analogy in
Ulro: Golgonooza thereby preserves Albion from the states of
Satan and Adam and helps Christ’s salvic work.
Third, in Ulro, Blake’s circumference/centre chronology
details Albion’s inner collapse into lifeless forms called spectres.
As Blake shows, the reverse spin following God’s intervention is
enlivened by Enitharmon’s globe of life-blood. It diffuses into the
crimson veil of Vala that extends outward from the centre to the
circumference. Albion enters into and energises this receptive
membrane of feminine potentiality. He energises Ulro from the
centre outward to the circumference and thereby Ulro is united into
a procreative whole.
Finally, Chapter 1 concludes at the circumference, Plate 25,
with Albion in the arms of Christ and the daughters of Beulah
embracing the entire living continuum of being in Ulro. The vortex
of Chapter 1 is completed and waits the return of Christ for Albion
to be awakened in Divine love. Two-fold space and time are given
form and being and three-fold vision is rebuilt in the sublime
analogy of Golgonooza. This three-fold wholeness is in time and
finite space and in Blake’s chronology is logically antecedent prior
to the completed four-fold state of resurrected life in Christ as in
Plates 94-96.
[glow=red,2,300]11R: the reason (_) hears (is really) thru the spirals[/glow]
okay been putting it together and this recent post explaining that the spiral or vortex is seen differently depending on the vantage point of the observer nailed it--so if we see the spiral as a tunnel, a sun, or a comet etc will influence how we are hearing in that particular event
ramhornd.blogspot.com/
Tuesday, May 21, 2013
BLAKE'S VORTEX
will add some notes for now as i cant get the color dodad to work at the moment and i like my colors
i shall try to return later if time permits to tie up the loose ends as i have lots of rs that fills in the imagery in some of the following materialramhornd.blogspot.com/
Thursday, May 23, 2013
VORTEX OF URIZEN
books.google.com/books?id=riySOk90TJMC&pg=PA97&dq=vortex-ring+blake#v=onepage&q=vortex-ring%20blake&f=false
read the following pages as well in the above link
From MILTON'S L'ALLEGRO III
The Great Sun
[recording1]
F: both the message and the source of the message
9R: she signed the best (source/person) that she signed before
F: In this picture Blake uses scale as one of the means to distinguish between the natural world and the Eternal world
6R: grow understand lower sign and use your answer examine those legs to see (your) description
...F: In this picture Blake uses scale as one of the means to
...1R: examine those legs to see (your/girl) description
...4R: grow understand lower sign and use your answer
...F: to distinguish between the natural world and the Eternal
...3R: understand lower sign and use your answer
...F: world
...5R: grow
F: Surrounding the sun is the level of Beulah
14R: a legal veils in us sinners
F: as dominated by the feminine
12R: and an infant of the animus [sounds more like ami-ma-s tho]
F: Within the disc of the sun is the fiery transfor-
13R looks at their office janice looks in the navel
-mative level. The primary figure
F: which overlaps the other three layers is the Great Sun in his Human
[glow=red,2,300]11R: the reason (_) hears (is really) thru the spirals[/glow]
~
[recording 3]
Two Great Lights
F: In Genesis 1:16
1R: nietzsche knows the sun
F: we read about the two great light-
3R: gal i wished that i could hear you
...F: two great lights
...4R: skeleton [iffy but it fits]
~
www.thefourzoas.com/jerusalem/pdf/jerusalem_explained_intro_chap_1.pdf
1-25 only
First, the Chapter is a vortex, which pulses from
circumference inwards to the centre and in reverse ‘spin’ from the
centre outwards to the circumference. The point of reversal is an
act of Divine intervention. In Chapter 1, this act is the finger of
God in the seventh furnace and the setting of the limits of
contraction and opacity and the incarnation. In Blake’s design,
Plates 23, 24 and 25 conclude the consequent serial expansion
from centre to circumference.
Second, the finite chronology details the collapse inward
and reunion outward of Albion. In Chapter 1, his collapse
within is gathered into coherence in the spiritual architecture of
Golgonooza. The collapse into non-entity is reversed by Divine
intervention and Ulro achieves sublimity in Golgonooza as Los
recreates the forms of finitude from the centre outward into a
visionary unity. The world of generative chaos is transformed
i nto sublime form and the Divine image preserved in analogy in
Ulro: Golgonooza thereby preserves Albion from the states of
Satan and Adam and helps Christ’s salvic work.
Third, in Ulro, Blake’s circumference/centre chronology
details Albion’s inner collapse into lifeless forms called spectres.
As Blake shows, the reverse spin following God’s intervention is
enlivened by Enitharmon’s globe of life-blood. It diffuses into the
crimson veil of Vala that extends outward from the centre to the
circumference. Albion enters into and energises this receptive
membrane of feminine potentiality. He energises Ulro from the
centre outward to the circumference and thereby Ulro is united into
a procreative whole.
Finally, Chapter 1 concludes at the circumference, Plate 25,
with Albion in the arms of Christ and the daughters of Beulah
embracing the entire living continuum of being in Ulro. The vortex
of Chapter 1 is completed and waits the return of Christ for Albion
to be awakened in Divine love. Two-fold space and time are given
form and being and three-fold vision is rebuilt in the sublime
analogy of Golgonooza. This three-fold wholeness is in time and
finite space and in Blake’s chronology is logically antecedent prior
to the completed four-fold state of resurrected life in Christ as in
Plates 94-96.